Contemporary photographers have seized on fresh interest from gallery owners and other patrons to find new audiences and escape expectations imposed by commercial commissions. "There is more of an incentive to do our own projects. We create totally under our own steam," says Clare Arni, a British photographer born in India who lives in Bangalore and makes a living primarily as an architectural photographer. In November, Ms. Arni exhibited a suite of works in vibrant colors documenting disappearing professions in Kolkata, New Delhi, Bangalore and Chennai, such as silk dyers, medicine grinders and painters of movie posters -- a product of 18 months of research and travel. The show sold out two editions of prints.
Some gallery owners contend that the current financial uncertainty might actually be good for photography-collecting by allowing it to mature without the crazed speculation that infected the overall Indian art market.
Some gallery owners contend that the current financial uncertainty might actually be good for photography-collecting by allowing it to mature without the crazed speculation that infected the overall Indian art market.
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